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Can Films Be Fascist?
From a contemplative article on Leni Riefenstahl:
As Brian Winston put it on the BBC program, “I don’t think you can make a moral judgment about Riefenstahl’s work on the basis that it embodies fascist aesthetics, because I don’t think there’s any such thing. I think she stands in the mainstream of Western aesthetics, and I think that Western aesthetics can be, on occasion, fascist. That’s the problem with the whole phenomenon of fascism — that we want somehow to treat it as a virus. It isn’t; it’s part of us. It’s the dark side of the European tradition, and she represents that dark side perfectly.”
It goes on…
The reasons for such myopia, I would argue, don’t really have much to do with Riefenstahl’s international standing as an artist. Rather, they have to do with a glaring contradiction in our notions about art and politics — a contradiction that Riefenstahl’s career throws into sharp relief. To put the matter crudely, we tend to celebrate artists who have absolute, dictatorial freedom and control over their resources, and condemn politicians who pursue or achieve the same aim.
The Economics of Fascism
Wikipedia on The Economics of Fascism:
Fascism also operated from a Social Darwinist view of human relations. Their aim was to promote “superior” individuals and weed out the weak.[15] In terms of economic practice, this meant promoting the interests of successful businessmen while destroying trade unions and other organizations of the working class.[16] Historian Gaetano Salvemini argued in 1936 that fascism makes taxpayers responsible to private enterprise, because “the State pays for the blunders of private enterprise… Profit is private and individual. Loss is public and social.“[17]
So that we’re all aware, we’re not looking at a socialist economic bailout, but a fascist one.
Note: Bryan posted this already in the comments section, but I think it’s extremely relevant to our current national predicament so I’m posting it again. Plus I think Digg and Reddit are going to eat this up.
Fascism: 1975 and 1993
According to Dead Horse, the definition of “fascism” has made an odd shift between 1975 and 1993, with some interesting parallels to the recent bail-out. Here are the two American Heritage definitions:
From 1975: “A philosophy or system of government that advocates or exercises a dictatorship of the extreme right, typically through the merging of state and business leadership, together with an ideology of belligerent nationalism.”
From 1993: “A system of government marked by a totalitarian dictator, socioeconomic controls, suppression of the opposition, and usually a policy of belligerent nationalism and racism.”
Dead Horse writes:
Notice what’s missing in the 1993 definition? “[M]erging of state and business leadership…” And that fascism is an extreme right phenomenon. By removing “extreme right” from the definition clowns like Goldberg were free to write “Liberal Fascism”, a most moronic combination of two antithetical terms.
An addition to the 1993 definition is “socioeconomic controls”. What form of government doesn’t have socioeconomic controls? Sweden has socioeconomic controls. Someone who didn’t know anything about fascism could grab onto “socioeconomic controls” and presume that fascism was against free markets, you know, like liberals.
Of course, fascism is against free markets. But then most people who proclaim that they are for free markets are against free markets. The question is never about the existence of socioeconomic controls. It’s about what kind of controls and who benefits. The same class of people who benefited from fascism in Germany and Italy are the same kind of people who benefit from the execution of Paulson’s plea.
It’s the merging of state and business leadership that is becoming official with this proposed bailout.
(Via A Tiny Revolution.)
Crimes and Misdemeanors
Check out this great interactive venn diagram of Bush administration criminals over at Slate. The who’s-who of torturers, crooks and liars is about what you’d expect. (Via Matthew Yglesias.)